‘The Man Standing Next’ Doesn’t Conquer the Intricate Complexities of the Biographical Political Thriller June 21, 2021 • 0
Patrick Wilson Wants to Be Your Daddy: Discussing Faith, Gender, and ‘The Conjuring’ Series June 21, 2021 • 0
Slim on Scares and Heavy with Unclear Exposition, ‘The Conjuring: The Devil Made Me Do It’ Works Best When It Gives Its Leads Room to Shine June 18, 2021 • 0
Bo Burnham is Trapped in Parasocial Self-Awareness: ‘Inside’ Questions Performance and Authenticity Ad Infinitum June 16, 2021 • 0
TRIBECA ’21 — ‘My Heart Can’t Beat Unless You Tell It To’ is a Vampiric and Vulnerable Expose On Unconditional Family Love June 13, 2021 • 1
Sheffield Doc Fest ’21: Lee Cooper Wants To Show Us The Beauty Of Old Age In His New Film ‘Maisie’ June 12, 2021 • 1
SHEFF DOC FEST ’21: For Guen Murroni, Director of ‘Stormskater’, The Personal Is Always Political June 10, 2021 • 1
SHEFF DOC FEST ’21: A Tale of Two Cities – Debbie Harry and Rob Roth talk about their latest collaboration ‘Blondie: Vivir En La Habana’ June 10, 2021 • 1
Sheffield Doc Fest ’21: An interview with Beth B, director of ‘Lydia Lunch, The War is Never Over’ June 9, 2021 • 1
