Aubrey Plaza Shines In A Disappointing Debut Crime Thriller From John Patton Ford August 17, 2022 • 0
‘The Immaculate Room’ Is A Tame Psychological Thriller That Relentlessly Reveals One’s True Self August 16, 2022 • 0
CinemaAttic Presents ADRIFT ’22: In Conversation with Moving Image Artists Elena Duque and Lydia Beilby on Making Subversive Film-making Accessible in Scotland August 10, 2022 • 0
‘Bullet Train’ Is A Fast-Paced, Kaleidoscopic Thrill Ride Through a Neon Night In Tokyo August 10, 2022 • 0
‘The Princess’ Is A Somewhat Messy Fairy Tale Thriller With All The Right Intentions July 6, 2022 • 0
Screen Queens 