#CriterionMonth Art House House Wives: The Domestic Space of Safe and Jeanne Dielamn July 31, 2018 • 0
#CriterionMonth How ‘Kiss Me Deadly’ exposes the myth of the femme fatale and sets it on fire July 28, 2018 • 0
#CriterionMonth “I Haven’t Done Anything Funny, Ray”: Reevaluating Frances McDormand’s Abby in the Coen Brothers’ Blood Simple July 26, 2018 • 0
#CriterionMonth Female Agency in Hollywood’s Golden Age: The women of the Criterion screwball comedies July 19, 2018 • 0
#CriterionMonth RAISE RAVENS AND THEY’LL TAKE OUT YOUR EYES: Fragmented memory and female experience in Cría Cuervos July 8, 2018 • 0
#CriterionMonth The sexist portrayal of Margot Tenenbaum in Wes Anderson’s The Royal Tenenbaums July 7, 2018 • 0
“The Only Person Standing in Your Way is You.”: Ambitious Women and their Portrayal in Black Swan, I Tonya and The Neon Demon June 21, 2018 • 1
The Sound of One Heel Clacking: Performing Sonic Femininity in Almodóvar’s High Heels November 21, 2017 • 0
