Slim on Scares and Heavy with Unclear Exposition, ‘The Conjuring: The Devil Made Me Do It’ Works Best When It Gives Its Leads Room to Shine June 18, 2021 • 0
TRIBECA ’21 — ‘My Heart Can’t Beat Unless You Tell It To’ is a Vampiric and Vulnerable Expose On Unconditional Family Love June 13, 2021 • 1
Sheffield Doc Fest ’21: Lee Cooper Wants To Show Us The Beauty Of Old Age In His New Film ‘Maisie’ June 12, 2021 • 1
SHEFF DOC FEST ’21: A Tale of Two Cities – Debbie Harry and Rob Roth talk about their latest collaboration ‘Blondie: Vivir En La Habana’ June 10, 2021 • 1
George A. Romero’s Long-Lost Public Information Film ‘The Amusement Park’ is a Remarkable Addition to His Legacy June 7, 2021 • 0
‘Tove’ Lacks a Little Moomin Magic but Remains a Moving Biopic of the Famous Illustrator May 31, 2021 • 0
Horror Flick ‘Funhouse’ Takes Aim at Reality TV, but Misses the Mark on Social Critiques May 28, 2021 • 0
‘Before/During/After’ is a Delightful Female-Led Divorce Dramedy That Toys with Time May 28, 2021 • 0
Natalie Morales’ Feature Film Debut ‘Plan B’ is a Teen Quest Movie with a Difference May 25, 2021 • 0
‘Cowboys’ Offers a Compassionate, Timely, and Necessary Portrait of Both U.S. Trans Identity and Mental Illness May 22, 2021 • 0
