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Reviewing the new, the old, the good and the bad.

‘Pam & Tommy’ Is A Strangely Sweet, Often Surreal Look At A Landmark Lawsuit

January 26, 2022 • 0

High School’s Fury And Folly Is Captured In ‘Stop-Zemlia’

January 24, 2022 • 0

Scream (2022) Provides A Ghostface For A New Generation

January 20, 2022 • 0

Despite The Comedy Pedigree Of This Cast, ‘The Afterparty’ Fails To Deliver On The Laughs

January 18, 2022 • 0

Names Have Power in ‘The Unforgivable’

January 17, 2022 • 1

Euphoria Season 2, Episode 1: Being A Teenager Never Looked So Adult

January 16, 2022 • 0

Season 2 of ‘Emily in Paris’ is Flirty, French, and Kinda Chic

January 10, 2022 • 0

‘Hawkeye’ Brings A New And Promising Partnership to the MCU

January 10, 2022 • 0

The 355 Is A Bit Generic But Its Ambition Is Admirable

January 6, 2022 • 0

Kenneth Branagh Delivers a Warm Biopic of his Childhood in 1960s ‘Belfast’

January 1, 2022 • 0

‘The Lost Daughter’ Explores The Acidity Of Motherhood

January 1, 2022 • 0

‘The Silent Sea’ Is A Sci-Fi Ride With A Kick Better Suited To The Big Screen

December 31, 2021 • 0

‘The Matrix Resurrections’ is Uncanny, Confounding and Queer

December 31, 2021 • 1

‘Resident Evil: Welcome to Racoon City’ is a Shallow, Silly Reboot

December 30, 2021 • 0

Nicole Kidman Steals The Show In This Dry Lucille Ball Biopic

December 24, 2021 • 1

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