Despite its Bold Approach, ‘The Violent Heart’ Neglects To Acknowledge Intersectional Privileges and Prejudices February 23, 2021 • 0
[WIHM] FINAL GIRLS BERLIN’ 21— ‘The Stylist’ Enters a Crazed New Female Villain to the Slasher Genre February 22, 2021 • 0
Blending Folklore Style with Family Accounts, ‘Sator’ is a Slow-Burn Success in Indie Horror Filmmaking February 20, 2021 • 0
‘The Great Indian Kitchen’ Shows the Quiet Rage Building up in a Society on the Cusp of Change February 20, 2021 • 0
A Story About Communist Russia Finds a Home in the 21st Century in ‘Dear Comrades!’ February 20, 2021 • 0
‘Twilight’s Kiss’ Provides a Quiet Look Into the Lives of Elderly Gay Men in Modern Hong Kong February 16, 2021 • 0
SUNDANCE’21 — A woman at the Wheel Threatens Family Honour in Blerta Basholli’s Moving Debut ‘Hive’ February 15, 2021 • 3
‘Pretend It’s a City’ Perfectly Displays the Solace That Comes with New York and Fran Lebowitz February 13, 2021 • 0
‘To All the Boys: Always and Forever’ Is a Beautiful Love Letter and Goodbye to Lara Jean February 12, 2021 • 0
Despite Progressive Rhetoric, ‘Walker’ Romanticises White Redemption at the Expense of Its Characters of Colour February 6, 2021 • 0
