WIHM—La Jaula de Oro (The Gilded Cage): The Political Possibilities of Gigi Saul Guerrero’s Border Horror February 29, 2020 • 1
WIHM – Aside From Serial Killers, The Real Villain of the ‘Scream’ Franchise is our Expectations of Women February 22, 2020 • 0
WIHM – When you Wish Upon a Chalk: Magical Realism and Horror in ‘Tigers Are Not Afraid’ February 18, 2020 • 0
WIHM – Pretending is Also Real: Fantasies of Dominance and Submission in ‘The Love Witch’ February 17, 2020 • 0
WIHM – ‘Assassination Nation’ and the Fear of Existing as a Girl in the Modern World February 16, 2020 • 1
WIHM – Baby Will Tell You What to Do: Subverting Depictions of Pregnancy in ‘Prevenge’ February 15, 2020 • 0
WIHM – All Hail The Proactive, Progressive, and Pro-Sex Generation of Female Horror Protagonists February 14, 2020 • 0
FINAL GIRLS BERLIN ’20 – ‘The Father’s Shadow’ is Held Down by its Lead Performance February 14, 2020 • 0
