REVIEW – I Think We’re Alone Now: style wins over substance in post-apocalyptic drama November 18, 2018 • 0
LFF REVIEW- Rafiki: This modest but moving lesbian romance is a bright spark in the shadow of prejudice October 15, 2018 • 0
GRIMMFEST REVIEW- Summer of ’84: Serial killer mystery is a reference-heavy addition to the 80s nostalgia canon October 7, 2018 • 0
REVIEW- Dreams of a Life: An examination of how isolation blurs into disappearance October 5, 2018 • 0
#DirectedByWomen REVIEW- Tigers are not Afraid: Magical Realism at its most beautifully tragic September 30, 2018 • 0
INTERVIEW- Caity Lougheed: Glasgow based filmmaker talks about her punky women, dislike of realism and Jem and the Holograms visual inspiration September 29, 2018 • 0
#DirectedByWomen In Search of Unruly Objects: Objects and Domesticity in Jeanne Dielman and Semiotics of the Kitchen September 29, 2018 • 0
#DirectedByWomen REVIEW- Kedi: A love letter to the street cats of Istanbul and the people who care for them September 27, 2018 • 0
#DirectedByWomen REVIEW- The Brass Teapot: Ramaa Mosley’s mythical object movie tackles the body, addiction and masochism with a satirical bite September 26, 2018 • 0
#DirectedByWomen The Voices: The whimsical horror that made Ryan Reynolds weird (again) September 23, 2018 • 0
