CANNES ’21: ‘The Hill Where Lionesses Roar’ Marks Luàna Bajrami’s Sun-Drenched Debut As A Promising Future July 28, 2021 • 0
Marvel’s ‘Loki’ Series Delivers Depth and Complexity as It Expands the MCU’s Multiverse Horizons July 24, 2021 • 0
Cannes ’21: ‘Mi Iubita Mon Amour’ Gives Us A Summer Love Story That Fails To Acknowledge Its Ethical Limitations July 21, 2021 • 0
‘Fear Street: Part 2: 1978’ Doesn’t Have The Element Of Surprise, But Ramps Up The Tension July 13, 2021 • 0
Leigh Janiak Crafts a Spine-Chilling And Endearing First Installment Of Netflix’s ‘Fear Street’ Trilogy July 7, 2021 • 0
‘Witch Hunt’ Has Compelling Performances, but Appropriates and Erases Other Marginalised Peoples’ Struggles July 4, 2021 • 1
The Long-Awaited ‘Black Widow’ Solo Adventure Is A Worthy Beginning and End For The Title Character June 29, 2021 • 0
SHEFF DOC FEST ’21: For Guen Murroni, Director of ‘Stormskater’, The Personal Is Always Political June 10, 2021 • 1
Sheffield Doc Fest ’21: An interview with Beth B, director of ‘Lydia Lunch, The War is Never Over’ June 9, 2021 • 1
