TIFF ’22: Jonathan Majors Leads A Moving Tale About America’s First Black Navy Aviator October 24, 2022 • 0
TIFF ’20 — ‘The Father’ is a Harrowing Experience Led by an Astounding Performance from Sir Anthony Hopkins October 21, 2020 • 0
TIFF ’20 — Danielle Arbid Reminds us What an Erotic Romance is Supposed to be in ‘Passion Simple’ October 3, 2020 • 0
TIFF ’20 — If There Is Anything To Learn From ‘Monday’, it is Don’t Make a Long-Term Relationship out of a One-Night Stand October 2, 2020 • 0
TIFF ’20 — Regina King’s ‘One Night in Miami’ is a Well-Crafted Ode To Four History-Changing People October 1, 2020 • 2
TIFF ’20 – ‘Preparations to be Together for an Unknown Period of Time’ Draws You in With the Quiet Unraveling of it’s Romantic Mystery September 30, 2020 • 0
TIFF ’20 — The Trying Art of Seeking (and Dodging) Arrangements in ‘Shiva Baby’ September 23, 2020 • 5
TIFF ’20 — Jessica Barden Gives a Delicate and Commanding Performance in Bittersweet Coming-of-Age Story ‘Holler’ September 23, 2020 • 0
TIFF ’20 — ‘Concrete Cowboy’ Sheds Light on the Fletcher Street Cowboys Through a Black Coming of Age Tale September 22, 2020 • 1
TIFF ’20 — Chloé Zhao’s ‘Nomadland’ is a Sweet and Tender Look at Life as a Modern-Day Nomad in the American West September 21, 2020 • 1
TIFF19 – ‘Rocks’ Confronts A Difficult Reality While Paying Tribute To Sisterhood October 4, 2019 • 1
TIFF19 – Shailene Woodley is a Hopeless and Sympathetic Hot Mess in ‘Endings, Beginnings’ September 14, 2019 • 0
Screen Queens 