SUNDANCE ’22 – Native Hawaiian-Made ‘Every Day in Kaimukī’ Explores the Mixed Emotions of Leaving Home February 22, 2022 • 0
SUNDANCE ’21 — Rural Journalists Break Taboos and Shine a Light on Injustice in ‘Writing with Fire’ February 27, 2021 • 0
SUNDANCE’21 — A woman at the Wheel Threatens Family Honour in Blerta Basholli’s Moving Debut ‘Hive’ February 15, 2021 • 3
SUNDANCE ’20 – ‘Never, Rarely, Sometimes, Always’ is a Bleak Portrait of Womanhood February 5, 2020 • 0
SUNDANCE ’20 – ‘High Tide’ Cranks Up The Anxiety and Frustration of Being Woman Losing Control January 30, 2020 • 0
SUNDANCE – ‘Paradise Hills’ is a Female Driven, but Sadly Miscalculated Science Fiction/Fantasy Hybrid February 7, 2019 • 1
SUNDANCE REVIEW- Sister Aimee: A fun, re-imagined look at America’s most famous Evangelist February 4, 2019 • 0
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