BERLINALE ’21 — ‘The Scary of Sixty-First’ Stares the 21st Century Bogeyman In The Face March 2, 2021 • 0
CBS’s ‘Clarice’ Begins a New Story for its Iconic Feminist Lead, but Misrepresents Important Disability Issues February 28, 2021 • 0
SUNDANCE ’21 — Rural Journalists Break Taboos and Shine a Light on Injustice in ‘Writing with Fire’ February 27, 2021 • 0
[WIHM] FINAL GIRLS BERLIN’ 21— ‘The Stylist’ Enters a Crazed New Female Villain to the Slasher Genre February 22, 2021 • 0
Blending Folklore Style with Family Accounts, ‘Sator’ is a Slow-Burn Success in Indie Horror Filmmaking February 20, 2021 • 0
‘The Great Indian Kitchen’ Shows the Quiet Rage Building up in a Society on the Cusp of Change February 20, 2021 • 0
A Story About Communist Russia Finds a Home in the 21st Century in ‘Dear Comrades!’ February 20, 2021 • 0
‘Twilight’s Kiss’ Provides a Quiet Look Into the Lives of Elderly Gay Men in Modern Hong Kong February 16, 2021 • 0
SUNDANCE’21 — A woman at the Wheel Threatens Family Honour in Blerta Basholli’s Moving Debut ‘Hive’ February 15, 2021 • 3
‘Pretend It’s a City’ Perfectly Displays the Solace That Comes with New York and Fran Lebowitz February 13, 2021 • 0
