LFF ‘21 : ‘Mona Lisa and the Blood Moon’ Isn’t Revolutionary But Makes Up For Simplicity With Earnest Warmth October 16, 2021 • 0
‘V/H/S/ 94’ is a Gritty and Gory Found Footage Anthology, and Probably the Best One Yet October 15, 2021 • 0
Short Film ‘Depart’ Utilises its Remotely-Made Filming to Depict One Woman’s Dystopian Evacuation October 11, 2021 • 0
Though It’s a Charming Whodunit, ‘Only Murders in the Building’ had the Potential to Be More October 6, 2021 • 1
‘Fruits of Labor’ Demonstrates the Determination of a Working-Class Mexican-American Teenager in California October 4, 2021 • 0
‘Foundation’ Is a Beautiful Big Budget Sci-FI That Gets Lost in Too Many Plots, Timelines and Characters September 24, 2021 • 0
Mike Flanagan’s ‘Midnight Mass’ is a Soulful and Extraordinary Portrait of Horror and Humanity September 20, 2021 • 0
