GRIMMFEST ‘20 — ‘Death Ranch’ Aims to Subvert Blaxploitation Tropes in this Murky Grindhouse Flick October 16, 2020 • 0
GRIMMFEST ‘20 — ‘Ten Minutes to Midnight’ is an Entertaining Vampire Flick with a Powerful Message That Falls Short October 13, 2020 • 0
GRIMMFEST ‘20 — ‘Triggered’ is a Twisted Gore-Fest as Character Figures Out Who Their Real Friends Are October 11, 2020 • 0
GRIMMEST ‘20 — ‘The Unhealer’ is an Original and Entertaining Tale of Bullying and Revenge October 10, 2020 • 0
GRIMMFEST ‘20 — An Uneven Script and Awoken Evil Torment a Family In ‘They Reach’ October 9, 2020 • 0
GRIMMFEST ‘20 — John Hyams’ ‘Alone’ Allows its Protagonist to Make Smart Decisions October 7, 2020 • 0
GRIMMFEST — Cannibal Horror ‘She Never Died’ is a Socially Conscious Sequel Worth Talking About October 11, 2019 • 0
GRIMMFEST’19 — ‘Tales From the Lodge’ is a Cheesy Slog in the Anthology Horror Catalogue October 10, 2019 • 0
GRIMMFEST REVIEW- The Cleaning Lady: Women-led take on the disfigured villain is a surprising riff on beauty, violence and abuse October 9, 2018 • 0
GRIMMFEST REVIEW- Satan’s Slaves: Despite its impressive style and performances, occult thriller simply doesn’t possess the scares October 8, 2018 • 0
GRIMMFEST REVIEW- Summer of ’84: Serial killer mystery is a reference-heavy addition to the 80s nostalgia canon October 7, 2018 • 0
GRIMMFEST REVIEW- Dead Night: A stylish execution doesn’t mask a jumble of ideas in this cabin-in-the-woods horror October 6, 2018 • 0
Screen Queens 