LFF ‘21 : ‘Mona Lisa and the Blood Moon’ Isn’t Revolutionary But Makes Up For Simplicity With Earnest Warmth October 16, 2021 • 0
‘V/H/S/ 94’ is a Gritty and Gory Found Footage Anthology, and Probably the Best One Yet October 15, 2021 • 0
Short Film ‘Depart’ Utilises its Remotely-Made Filming to Depict One Woman’s Dystopian Evacuation October 11, 2021 • 0
‘Fruits of Labor’ Demonstrates the Determination of a Working-Class Mexican-American Teenager in California October 4, 2021 • 0
TIFF ’21 – ‘Ste. Anne’ Is A Cautionary Tale About The Importance Of Storytelling September 19, 2021 • 1
TIFF ’21 – Clio Barnard’s Ballad Of Warmth And Pain ‘Ali & Ava’ Is A Triumph Of Independent Filmmaking September 17, 2021 • 1
‘The Mad Women’s Ball’ is Another Layered Exploration of Female Relationships from Mélanie Laurent September 16, 2021 • 0
FANTASIA ’21: ‘Glasshouse’ Is An Intriguing Fairytale Sci-Fi That Doesn’t Live Up To It’s Potential September 14, 2021 • 0
