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‘Rosaline’ Skewers The Star-crossed Lovers With Style

November 2, 2022 • 0

EIFF ’22: ‘Full Time’ Is A Perfectly Pitched Capitalist Nightmare

September 15, 2022 • 0

EIFF ’22: ‘Juniper’ Explores An Unlikely Friendship With Spark And Pathos

September 15, 2022 • 0

EIFF ’22: ‘Electric Malady’ Poignantly Captures Disbelieved Health Issues

September 15, 2022 • 0

EIFF ’22 – Rebecca Hall Anchors A Terrifying Twist In ‘Resurrection’

August 16, 2022 • 0

‘Marcel the Shell With Shoes On’ Is The Melancholic Whimsy This Summer Needs

July 25, 2022 • 0

‘Cha Cha Real Smooth’ Is Navel-Gazing Tedium With Flashes of Joy

June 17, 2022 • 0

‘Jockey’ Is A Sports Drama Swan Song

March 29, 2022 • 0

‘Jane By Charlotte’ is a Loving Look at a Legend

March 15, 2022 • 0

The Arctic Craze Struggles For Life In ‘Against the Ice’

March 11, 2022 • 0

‘Pam & Tommy’ Is A Strangely Sweet, Often Surreal Look At A Landmark Lawsuit

January 26, 2022 • 0

High School’s Fury And Folly Is Captured In ‘Stop-Zemlia’

January 24, 2022 • 0

‘The Lost Daughter’ Explores The Acidity Of Motherhood

January 1, 2022 • 0

‘The Hand of God’ Is A Sprawling, Aching Work Of Autofiction

December 24, 2021 • 0

‘Keep Sweet’ is a Thought-Provoking Documentary with Uncritical, yet Necessary Sympathy

November 29, 2021 • 0

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