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GFF ’23 – ‘Rye Lane’ Heralds The Return Of The London Rom-Com

March 15, 2023 • 0

GFF ’23 – ‘How To Blow Up A Pipeline’ Is A Clear-Eyed Ecological Thriller

March 13, 2023 • 0

Uncompromising Empathy And Understated Performances Anchor ‘The Quiet Girl’ – Film Review

February 20, 2023 • 0

‘She Is Love’ Is A Hard Film To Fall For – Film Review

February 6, 2023 • 0

None Of Us Are Alone: Mary Woodvine On ‘Enys Men’ – Interview

January 2, 2023 • 0

‘Rosaline’ Skewers The Star-crossed Lovers With Style

November 2, 2022 • 0

EIFF ’22: ‘Full Time’ Is A Perfectly Pitched Capitalist Nightmare

September 15, 2022 • 0

EIFF ’22: ‘Juniper’ Explores An Unlikely Friendship With Spark And Pathos

September 15, 2022 • 0

EIFF ’22: ‘Electric Malady’ Poignantly Captures Disbelieved Health Issues

September 15, 2022 • 0

EIFF ’22 – Rebecca Hall Anchors A Terrifying Twist In ‘Resurrection’

August 16, 2022 • 0

‘Marcel the Shell With Shoes On’ Is The Melancholic Whimsy This Summer Needs

July 25, 2022 • 0

‘Cha Cha Real Smooth’ Is Navel-Gazing Tedium With Flashes of Joy

June 17, 2022 • 0

‘Jockey’ Is A Sports Drama Swan Song

March 29, 2022 • 0

‘Jane By Charlotte’ is a Loving Look at a Legend

March 15, 2022 • 0

The Arctic Craze Struggles For Life In ‘Against the Ice’

March 11, 2022 • 0

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