Despite its Bold Approach, ‘The Violent Heart’ Neglects To Acknowledge Intersectional Privileges and Prejudices February 23, 2021 • 0
‘Cocoon’ Director Leonie Krippendorff on the Disturbing —and Beautiful— Realities of Adolescence November 25, 2020 • 0
‘Cocoon’ is a Coming-of-Age Drama That Expands Alongside its Protagonist’s Worldview November 22, 2020 • 0
LFF ’20 — ‘The Reason I Jump’ is Ambitious, Empathetic, Yet Flawed in its Assumptions October 15, 2020 • 0
LFF ’20 — Art Crime Documentary ‘The Painter and the Thief’ is a Flawed Yet Powerful Exploration of Connection October 9, 2020 • 1
‘Hollywood’ Wants Viewers to Consider Who Tells the Stories Without Interrogating Its Own May 3, 2020 • 0
GFF ’20 – ‘Because We Are Girls’ is a Vital Documentary for the Fight Against Sexual Violence March 9, 2020 • 0
‘True History of the Kelly Gang’ makes a Bold, if Uneven, Case for Reinventing History February 27, 2020 • 0
Berlinale ’20 – ‘My Little Sister’ Refuses to Shy Away from the Messiest Family Struggles February 27, 2020 • 0
