LFF ’20 — ‘The Reason I Jump’ is Ambitious, Empathetic, Yet Flawed in its Assumptions October 15, 2020 • 0
LFF ’20 — Art Crime Documentary ‘The Painter and the Thief’ is a Flawed Yet Powerful Exploration of Connection October 9, 2020 • 1
‘Hollywood’ Wants Viewers to Consider Who Tells the Stories Without Interrogating Its Own May 3, 2020 • 0
GFF ’20 – ‘Because We Are Girls’ is a Vital Documentary for the Fight Against Sexual Violence March 9, 2020 • 0
‘True History of the Kelly Gang’ makes a Bold, if Uneven, Case for Reinventing History February 27, 2020 • 0
Berlinale ’20 – ‘My Little Sister’ Refuses to Shy Away from the Messiest Family Struggles February 27, 2020 • 0
Glasgow Film Festival ’20 – ‘Simple Women’ is a Self-Aware Portrait of the Artist as a Young Woman February 27, 2020 • 0
Berlinale ’20 – ‘Goddess of the Fireflies’ is a Tender Look at a Lost Adolescence February 23, 2020 • 0
BERLINALE – Formulaic Biopic ‘The Boy Who Harnessed the Wind’ is Elevated by Heartfelt Performances February 17, 2019 • 0
BERLINALE – ‘Mid 90s’ is a Joyful Account of Friendship That Fails to Interrogate its Toxic Masculinity February 14, 2019 • 0
