Pablo Larraín’s Fantasy Lenses a Stifled 1991 Royal Christmas as a Horror Film in Arthouse Diana fable, ‘Spencer’ November 15, 2021 • 0
‘Foundation’ Is a Beautiful Big Budget Sci-FI That Gets Lost in Too Many Plots, Timelines and Characters September 24, 2021 • 0
‘Best Sellers’ is a Plodding Drama About the Changing Culture of the Publishing Industry September 18, 2021 • 0
‘Sex Education’ Triumphantly Returns for Its Third Series to Tackle Gender, PTSD and Identity September 15, 2021 • 0
Talented Cast of ‘Everybody’s Talking About Jamie’ Buckle Under the Saccharine Sentimentality September 13, 2021 • 0
Kay Cannon Reinvents ‘Cinderella’ as a Cheesy Jukebox Musical with a Questionable Performance from its Leading Lady September 1, 2021 • 0
Joseph Gordon-Levitt Returns to TV as an Anxious Ex-Musician in the Abstract and Often Surreal ‘Mr. Corman’ August 7, 2021 • 0
‘Naked Singularity’ is a Messy Stream of Consciousness Derived from Difficult Source Material August 5, 2021 • 0
Natalie Morales’ Feature Film Debut ‘Plan B’ is a Teen Quest Movie with a Difference May 25, 2021 • 0
‘Clapboard Jungle’ Shows the Confessions of an Indie Filmmaker in This Behind the Scenes Look at the Industry April 24, 2021 • 0
BFI Flare ’21 – ‘Firebird’ Is A Melodramatic True Story Of Forbidden Gay Love In The Cold War March 23, 2021 • 0
BFI Flare ’21 – Thomas Wilson-White’s Delivers A Slice Of Muted Magic Realism In The Grief-Driven ‘The Greenhouse’ March 22, 2021 • 0
Screen Queens 