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The Power of Female Friendship in ‘Skam’ and Its Remakes

September 8, 2020 • 0

The Cutting Satire of ‘The Boys’ gets Even More Bloody in Season Two

September 4, 2020 • 0

‘Shrill’ Is Too Economically Idealistic for Its Own Good

August 28, 2020 • 0

The Dark, Twisted Reality of ‘Lovecraft Country’

August 25, 2020 • 0

If the Apocalypse Comes, Watch ‘Buffy the Vampire Slayer’

August 22, 2020 • 0

Sharper than the Sword: Weaponising the Mind and Femininity in ‘The Great’

August 18, 2020 • 2

‘Teenage Bounty Hunters’ Is Fun, But Not Nearly As Exciting As It Should Be

August 14, 2020 • 0

Whitmer Thomas’ ‘The Golden One’ is a Unique and Intimate Comedy Special Like no Other

August 5, 2020 • 0

“The Good Hunt”: GISH and the Social Impact of Fandom

August 3, 2020 • 0

“It’s been a bit of a bumpy ride, huh?”: Healing in ‘The Legend of Korra’

August 1, 2020 • 0

‘The Umbrella Academy’ Embraces Time Travel and Cold War Paranoia in its 1960s Based Second Season

July 30, 2020 • 0

The Allure of ‘The Bold Type’’s Millennial Feminist Utopia

July 29, 2020 • 1

Hunger and Desire: Reclaiming Queer Women’s Appetites Through the Female Gaze

July 26, 2020 • 0

Every Saint has a Past, but Does ‘Warrior Nun’ Have a Future?

July 25, 2020 • 0

May We Destroy It: Michaela Coel and the Impact of White Centrism in British TV

July 24, 2020 • 0

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