#CriterionMonth REVIEW- Persona: Bergman’s masterful visual feast dares to tackle identity and modernity of the sixties woman July 5, 2018 • 0
#CriterionMonth – Reflecting on ‘Pather Panchali’, Satyajit Ray’s Timeless Still Life Portrait of a Childhood in Rural India July 2, 2018 • 0
REVIEW- Lean On Pete: Andrew Haigh revives the American Road Movie with a heartfelt journey through the desolate US and the poverty within it June 28, 2018 • 1
Champs-Elysées Film Festival 2018 REVIEW- 1985: A profoundly delicate and heartrending farewell letter written in black and white June 25, 2018 • 0
REVIEW- Hereditary: A seamless blend of classic and modern horror makes for a fearful study on grief, guilt and parenthood June 23, 2018 • 1
SIFF ’18 – ‘The Miseducation of Cameron Post’ is Both Hilarious and Utterly Heartbreaking June 20, 2018 • 1
REVIEW- My Friend Dahmer: More interesting than engaging, My Friend Dahmer brings a promising performance from Ross Lynch June 19, 2018 • 0
REVIEW- Ocean’s 8: A star-studded spinoff that is self aware of its series’ predecessors, but finally gives women a heist of their own June 14, 2018 • 0
REVIEW: Sense8 Finale – Love conquers all, bringing together a constellation of characters for an ending of epic proportions June 12, 2018 • 0
REVIEW- Lek and the Dogs: A bold outing that blurs the lines between film and contemporary art, but leaves the viewer disconnected June 6, 2018 • 0
SIFF ’18 – Jeremiah Zagar’s rural American Indie ‘We the Animals’ Is a Profound Examination of Family, Masculinity, and Isolation June 5, 2018 • 1
Cannes 2018 REVIEW- Girl: From an ode to the beauty and complexity of the female body to a quest for identity June 4, 2018 • 0
TV REVIEW – Killing Eve: A British espionage thriller worthy of the women who star in it and watch it May 21, 2018 • 3
Screen Queens 