FANTASIA ‘21: ‘Agnes’ Is A Tonal Rollercoaster Where Your Expectations Are A Detriment August 25, 2021 • 0
‘The Suicide Squad’ Blows its Predecessor Away with James Gunn’s Love of Gore and Good Laughs August 22, 2021 • 0
Limited Series ‘Stateless’ is a Powerful Look at the Lives of Migrants in Australia August 16, 2021 • 1
Fulci’s Later Giallo ‘The Psychic’ is an Oneiric Whodunit, and Markedly Gore-less August 15, 2021 • 0
Kevin Smith Series ‘Masters of the Universe: Revelation’ is a Nostalgia-Fuelled Addition to the He-Man Universe August 14, 2021 • 0
‘Luz: The Flower of Evil’ Makes for a Difficult Viewing Experience, but a Vivid Warning Against the Patriarchy August 14, 2021 • 0
‘Midnight in the Switchgrass’ is an Imitative, Yet Impassioned Acknowledgement of the Violence Young Women Face August 13, 2021 • 0
Joseph Gordon-Levitt Returns to TV as an Anxious Ex-Musician in the Abstract and Often Surreal ‘Mr. Corman’ August 7, 2021 • 0
‘Naked Singularity’ is a Messy Stream of Consciousness Derived from Difficult Source Material August 5, 2021 • 0
[Book Nook] ‘If The Shoe Fits: A Meant To Be Novel’ Can’t Quite Find The Right Balance In These Heels August 3, 2021 • 0
SUNDANCE LONDON ’21: ‘First Date’ Can’t Quite Decide What It Want To Be – But Does That Really Matter? August 1, 2021 • 0
