In ‘Venom’ the ‘Anti-Hero’ Plot Lacks the ‘Anti’

Venom is an iconic villain of the Spider-Man universe; first appearing in the comics in 1984, he’s a sentient alien symbiote who must bond with a ‘host’ to survive. We first saw a live-action imagining of Eddie Brock and Venom in the 2007 Spider-Man 3 in the form of Topher Grace. It wasn’t terrible – it was certainly of its time – but Venom himself didn’t quite have the horrifying impact he deserved.

Ruben Fleischer’s 2018 offering has a clunky beginning – a spaceship carrying four living organism samples from another planet crashes somewhere in Malaysia. One organism is not retrieved from the wreckage, and continues to body-hop from host to host until it reaches the US. The samples were being retrieved for one Carlton Drake (Riz Ahmed), a filthy rich scientist who believes humans must combine with symbiote and live anywhere but earth to truly thrive. He states that humans are “so poorly designed.” Ahmed is brilliant; he’s slimy and conniving yet completely charismatic. You might say he carries the traits of cult leaders, telling his volunteer test subjects “I believe in you,” and “we’re making history.” But sadly, Venom’s three historically fantastic leads all drew the short straw with a baffling and laughable script that completely lets them down.

Eddie Brock’s’ fiancé, Anne Weying (Michelle Williams), is set up as a hot-shot lawyer who tackles huge clients such as Carlton Drake and his Life Foundation. Yet within 15 minutes, she’s completely unimportant. She rocks up again when Venom uses her as a host, for just a brief moment, to make out with Eddie; and yes, that actually happened. Tom Hardy’s Eddie Brock starts promisingly: an investigative journalist, he interviews Carlton and cannot help but question him about the shady goings on at the Life Foundation. After being shown the door by security, he later breaks in to photograph and expose the unethical practices there, and that’s where he meets his best friend Venom.

Venom is a villain. He is from the same alien species as monsters such as Carnage and Riot – he’s ruthless, gruesome, and genuinely frightening. Fleischer turns him into a crude joke. The writers have tried to make some sort of awkward comedy duo out of Venom and Eddie and it simply does not work. One moment he is threatening to destroy the world and eat everyone, the next he is advising Eddie on how to apologise to his ex-fiancé. Venom is not a good guy, and something doesn’t quite sit right when you try to make him one, or walk the line of the ‘anti-hero.’

Venom has some genuinely great action sequences and the character design stays wonderfully true to the comics, but an irredeemable, disjointed script and unsure characterisation leaves too much hero and not enough villain.


by Millicent Thomas

Millicent Thomas is a proud Mancunian who will be studying film at Bath School of Art & Design from September 2018. Hobbies include theatre, museums and waiting for Charles Xavier to show up and tell her she’s the world’s most powerful mutant. Her favourite films include Whiplash, Her, Logan and Short Term 12. You can follow her on Instagram at @millicentathomas and twitter at @millicentonfilm


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